Behind the Scenes: “Momentos for Momentum” by Julie Rowan-Zoch

 I love to hear about how the illustration process happens. I didn’t know about “Easter eggs” in illustrations until I saw the sketches and ideas from Sally Wern Comport for HIDING IN PLAIN SIGHT. Indeed, it’s a thing!  Here, local critique partner Julie Rowan-Zoch shares some of her own special touches and a bit of her work on just-released STOPPING BY JUNGLE ON A SNOWY EVENING, written by Richard T. Morris. I have to tell you, this book is a hoot! 

GIVEAWAY! Julie is offering a copy of STOPPING BY JUNGLE ON A SNOWY EVENING to one randomly chosen person who leaves a comment below.

Momentos for Momentum by Julie Rowan-Zoch image_50755329
 
I LOVE films, but especially DVDs (from my library) because if available I am definitely going to watch the director’s commentary. I am always curious to learn what they were thinking while bringing the story to life – and love
behind-the-scenes nuggets!
 
Illustrating another author’s manuscript is similar but not the same. I also pay good attention to the “film” that plays visually in my head while reading a manuscript. Like a director’s story board, the dummy sketches allow me to focus on composition, visual pacing and readability, action, and atmosphere. And a director’s choice of media will play a role just like it does in picture books. I believe similar things happen for the whole team, from the author, to the editor, the art director and designer. And getting it just right is everyone’s priority.
 
But while it’s wonderful to feel the support of a team there is also the challenge of doing my part of the work at home alone. I can keep energized doing research, like finding out hares actually stand and punch opponents, or Beatrix Potter’s favorite breed of sheep. I can make my workplace (sofa and sometimes bed!) comfy, add some music or allow a familiar film to keep me company. I always have coffee AND tea made before I begin. 
 
image_50443521
 
There are plenty of moments where energy is  l o o o w , and I am not doing a good job at motivating myself, or life just interrupts, sometimes with joy or grief. And sometimes all these things have a way of working themselves into my work too. Hiding personal Easter eggs can be a great pick-me-up, my very own little memories and momentos: like a nod to a favorite childhood picturebook over an entire spread with CAPS FOR SALE in NOT ALL SHEEP ARE BORING! or my mother’s pin cushion, or the same cloud-pattern sheets my kids had in which the boy and bear snuggle in LOUIS. 
 
image_50412801
 
Some things are added subconsciously, like landscapes incorporated in SHEEP from period films I was watching-not-watching, or the Sonoran Desert setting in HARE, on the edge of which part of my family actually lives. Did I add an owl in my newest release just for my mother? She loved to have me show her owl clips on Instagram and she passed while I was finishing the art. The tennis ball was certainly for her!
 
image_50409217
 
image_50439937
 
All these eggs will remain treasured momentos for me, and hopefully some will be fun for kids to find, just like I enjoy finding them in other people’s work.
 
*There is another ‘egg’  in JUNGLE from a film I enjoyed as a kid, The Incredible Mr. Limpet. Let me know if you find it!


14 thoughts on “Behind the Scenes: “Momentos for Momentum” by Julie Rowan-Zoch

  1. I’ve always enjoyed looking for Easter eggs in illustrations…and also always think I’m missing something (because I’m not that observant and probably am missing a lot). 😀 I can’t wait to read this book because I have been a HUGE fan of Julie’s art for over 10 years now! Congrats on the latest greatest, Julie!

    Liked by 1 person

  2. Easter Eggs are so much fun to find. I also loved The Incredible Mr. Limpet and can’t wait to find your tribute to this movie (I have a feeling what it is).

    Liked by 2 people

Leave a comment

This site uses Akismet to reduce spam. Learn how your comment data is processed.